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A A3 white page -landscape format- with a phonetic text in black Helvetica font book-ended with a red line.

‘tæmpə wɪð ˈlæŋgwɪʤ (Tamper With Language)’ Print by C.D-B

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‘Untitled’ Print by Medb

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The underwater world differs dramatically from the non-aquatic landscape in terms of its colour, textures, patterns, contours, sounds, spaces, and angles. As a diver, I have witnessed changes in the nature and extent of coral bleaching from 2014 to the present day. Consequently, my works revolve around one theme: Invisible – Coral Bleaching. By studying the scientific techniques employed in monitoring climate change, I was able to collect NASA ocean temperature data for the period 2014 to 2021, from which I plotted a series of projections via Python using a blue to green colour bar that was photographed in the ocean by myself. Meanwhile, I am also motivated by a desire to use my work to enhance public awareness of changes in the eco-system and to remind people that the activities of humans inevitably impact the environment.

‘Invisible’ Print by Zemin Chen

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‘A moment in time’ Print by Shivani Mathur

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A venn diagram containing the words 'I HAVE' - 'NO URGE' - 'TO CREATE' with the title of 'RIGHT NOW, AT ANY GIVEN MOMENT', drawn on a pastel beige-pink hue.

‘The [God] Honest Truth’ Print by prettyblood

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"和其光 Softens the glare 我会想起梦里的光 I remember the light in my dream 它蔓延无边 It spreads far and wide 它拨弦 It pizzs the string 在寂声 in silence 在静长 it grows "

‘VOID’ Print by Ran Yan

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An earthy tone Risograph print of a faint faceless figure wearing a tuxedo, layered with the landscape of clouds and mountains paired with a pattern in the background. This print is of a picture that was projected in a hallway, between three doors.

‘The Dual’ Print by Hanya Elghamry

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A young woman riding a hippocampus, a mythological animal with a horse head and fish tale. Bird legs below the central image holding onto a chair, floating on the ocean.

‘Chimerical Balance’ Print by Laura Erviti Estruch

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A square composition situated within the top 3/5ths of the page, with a white border. The composition inside the square features an abstract gathering of black figures on a muted beige landscape.

‘A glance from the corner (I)’ Print by Dian Joy

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"Kiss Me Slowly Once Twice Thrice "

‘Kiss Me’ Print by Ruth Hallgarten

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A collage of vegetation, lichen, pictures of stones covering the landmark view of the Trafalgar Square.

‘These truly are the last days (Trafalgar Square)’ Print by Pati Starzykowski

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"A layered, charcoal-textured black composition with a centred, thin, white streak running vertically across 3/5s of the image. "

‘Hagaah, Hofaah’ Print by Adam Muscat

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